FROM THE ITALIAN GIRL TO CABAR
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Specialised books on musical humor are rare, and this one is an incisive addition, concentrating mainly on the theatre. It analyses live performances and researches unusual source material., especially of the great comic opera and burlesque. The cult of musical farces and the social background are observed where the auhtor's sense of humor is clearly at home, invoking memorable periods and styles in Paris, London, Vienna and Berlin.
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